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Kathy I'm Lost I Said, Though I Knew She Was Sleeping
Friday, 16 March 2007

David Bowie sings Simon and Garfunkel's "America." "Changes" at rehearsal in 1976.

 

 
Flower Power Vs. Venus In Furs
Sunday, 11 March 2007
rosespank3
I was working on a series of photograms with an artist friend. The idea
was to make images (photograms) with everyday household items that
get used as spanking implements. Then I made some rose photograms
and was fooling around and found the bottom image and put
the two together. My friend flipped out and
wouldn't work on the project anymore.
Oh well, I like the picture.
Think I'll do a limited edition of erotic art prints.
And if she ever gets rid of her deeply-closeted boyfriend,
I'll give her the spanking I know she so desperately craves.
 
 
Scientists Confirm Existence Of The Arshole Molecule
Thursday, 01 March 2007

arsholeArsole Molecule from Wikipedia.             

Arsole is a chemical compound of the formula C4H5As. The structure is like pyrrole except that an arsenic atom is substituted for the nitrogen atom and that arsole is only mildly aromatic. Arsole itself does exist but is rarely found in its pure form. Several substituted analogs called arsoles also exist.

When arsole is fused to a benzene ring, this molecule is called benzarsole.

Furthermore, we can observe its profound effects on human beings when detected.  Scientists believe there may even be a cure in the future for those afflicted..

trump

 

 
Boy, You Been A Naughty Girl, You Let Your Knickers Down
Thursday, 01 March 2007
diaperman

From Mx.* 14 of the  incomparable Gallery of the Absurd comes another masterpiece. And she writes, "Diaper Man might not be a well-known Hollywood celebrity, but in our eyes he's an international star.  This jewel of a photo has been circulating the internet for years and we think it's time for him to make his appearance on Gallery of the Absurd.  We blended Diaper Man's disturbing pinkness with elements of Engrish nonsense for this monstrosity of a Valentine's card."

I wrote her and informed her that I had a picture to trump DiaperMan. 

There was a time, if one entered "idiot" into google images one of the first three pictures would be be a most amazing visage ... as John Lennon said in I Am The Walrus

I am he as you are he as you are me and we are all together.
See how they run like pigs from a gun, see how they fly.
I'm crying.

Sitting on a cornflake, waiting for the van to come.
Corporation tee-shirt, stupid bloody Tuesday.
Man, you been a naughty boy, you let your face grow long.

You will want to click on read more to see the photo that tells us the sun never sets on the british empire.

 
On Matisse by Jon Carroll
Monday, 26 February 2007

danse
La Danse, by Henri Matisse

My old friend, Jon Carroll, of the San Francisco Chronicle wrote the following column a while back. I was just going to quote it, but it is such a good read (and so hard to find) I think I'll just steal the whole thing.

Chronicle Books published a collection of Jon's columns a few years back, Near-Life Experiences. I will tell you this: his column "How To Drive In Indonesia" is worth the price of the book alone. I have read it so many times over the years, laughing out loud starting about the third paragraph and on through the rest of the piece.

In the eighties, I used to see Jon at the M&M Tavern, at the bar, stack of magazines and papers, a drink, a pack of cigarettes and an ashtray arrayed around him, deep in concentration, reading, working. He hates me to say things like this, but he was a true hero of mine in my youth, along with David Bowie, Keith Richards, Iggy Pop, columnist Herb Caen, and, of course, Kojak.

Herewith Jon's Matisse column: 

If you're going to read only one thousand-page book about a French artist this year, make it "The Unknown Matisse," by Hilary Spurling, in two volumes, winner of many awards, filled with big fun, poverty, struggle, scandal and lots of paintings. Cast of hundreds, many of them famous. Can't miss.

I do want to direct your attention to the color plates in the first volume, particularly plate No. 6. The caption reads: "The Dinner Table,' 1896-97. (100 x 131 cm.) The first in a long line of Matisse's works to outrage the public at the annual Paris salons; the other three remained too disturbing to show to anyone except friends in private."

Oh my; it's those naughty French artists again, free and zany in Montmartre, painting things to shock the bourgeoise. And what could it be? It is a woman arranging flowers at a dinner table. The woman is fully clothed. The food on the table is mostly fruit, including pears and lemons. The painting is, if not precisely representational, entirely uncryptic -- a plate looks like a plate, a chair looks like a chair, a wine decanter looks like a wine decanter. There are no disemboweled rabbits, watches floating in space, great smeary bits of color, glued-on bits of hair and fingernails -- nothing like that.


 
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